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STAR TREK INTO DARKNESS

Star Trek Into Darkness is a 2013 American science fiction action film. It is the twelfth installment in the Star Trek film franchise and the sequel to 2009's Star Trek. The film was directed by J. J. Abrams from a screenplay by Roberto Orci, Alex Kurtzman and Damon Lindelof based on the series of the same name created by Gene Roddenberry. Lindelof, Orci, Kurtzman and Abrams are also producers, with Bryan Burk. Chris Pine reprises his role as Captain James T. Kirk, with Zachary Quinto, Karl Urban, Zoe Saldana, Anton Yelchin, Simon Pegg, Leonard Nimoy, John Cho and Bruce Greenwood reprising their roles from the previous film. Benedict Cumberbatch, Peter Weller and Alice Eve round out the film's principal cast.

The plot of Into Darkness takes place one year after the previous installment, with Kirk and the crew of the USS Enterprise sent to the Klingon homeworld seeking former Starfleet member-turned-terrorist John Harrison. After the release of Star Trek, Abrams, Burk, Lindelof, Kurtzman, and Orci agreed to produce its sequel. Filming began in January 2012. Into Darkness' visual effects were primarily created by Industrial Light & Magic.

The film was converted to 3D in post-production. Star Trek Into Darkness premiered at Event Cinemas in Sydney, Australia on April 23rd, 2013, and was released on May 9th in Australia, New Zealand, the United Kingdom, Europe, and Peru, with other countries following. The film was released on May 16th in the United States and Canada, opening at IMAX cinemas a day earlier. Star Trek Into Darkness was a critical and commercial success, grossing more than $467 million worldwide making it its international gross the highest of the Star Trek franchise to date.

In June 2008, Paramount Pictures was interested in signing producers of the 2009 Star Trek J. J. Abrams, Bryan Burk, Damon Lindelof, Alex Kurtzman and Roberto Orci for a sequel. In March 2009, it was reported that these five producers had agreed to produce the film, with a script again written by Orci and Kurtzman (with the addition of Lindelof). A preliminary script was said to be completed by Christmas 2009 for a 2011 release. Kurtzman and Orci began writing the script in June 2009, originally intending to split the film into two parts. Leonard Nimoy, the original Spock who plays an older version of the character in the 2009 film, said he would not appear in the film. Abrams was reportedly considering William Shatner for the sequel.

By 2010, a release date of June 29, 2012 was set, with Lindelof announcing he had begun working on the script with Kurtzman and Orci and compared the sequel to The Dark Knight.

Abrams, Kurtzman, and Orci said that selecting a villain was difficult; according to Abrams, "the universe Roddenberry created is so vast that it's hard to say one particular thing stands out". They also discussed the possibility of Khan Noonien Singh and Klingons. Kurtzman and Lindelof said they had "broken" the story (created an outline); instead of a sequel, it will be a stand-alone film. But as of December 2010 Abrams admitted in that there was still no script.

In January 2011, Abrams said he had not decided whether or not he would direct, since he had not yet seen a script. Paramount Pictures asked for the sequel be shot in 3D. Abrams would film in 2D and IMAX, and said, "IMAX is my favorite format; I’m a huge fan." In February, Orci tweeted that he (with Lindelof and Kurtzman) planned to deliver the script in March 2011. Although the script was not finished on schedule, Paramount began financing pre-production; similar circumstances on the next Jack Ryan film meant that Chris Pine would film the Star Trek sequel first. By April, Orci said at WonderCon that the script's first draft had been completed. Abrams told MTV that when he finished his film, Super 8, he would turn his full attention to the Trek sequel.

Although a script was completed, uncertainty regarding the extent of Abrams' involvement led to the film's being pushed back six months from its scheduled June 2012 release. In June Abrams confirmed that his next project would be the sequel, noting that he would rather the film be good than ready by its scheduled release date. Abrams stated he would prioritize the film's story and characters over an early release date. In September Abrams agreed to direct the film, with the cast from the previous film reprising their respective roles for a winter 2012 or summer 2013 release. In October Orci said that location scouting was underway, and a comic book series (of which Orci would be creative director) would "foreshadow" the film. Into Darkness was given a revised release date of 2013, and Michael Giacchino confirmed that he would return to write the score.

Lindelof said that Khan was considered a character they needed to use at some point, given that "he has such an intense gravity in the Trek universe, we likely would have expended more energy NOT putting him in this movie than the other way around." References to Star Trek II: The Wrath of Khan were eventually added to the script, but Lindelof, Orci, and Kurtzman "were ever wary of the line between 'reimagined homage' and 'direct ripoff'." Orci and Kurtzman said they wanted a film which would work on its own and as a sequel, not using ideas from previous Star Trek works simply "because you think people are going to love it". Orci noted that when trying to create the "gigantic imagery" required by a summer blockbuster, Kurtzman suggested a scene where the Enterprise rose from the ocean. With that as a starting point they (and Lindelof) came up with the cold open in Nibiru, which blended action and comedy and was isolated from the main story in an homage to Raiders of the Lost Ark.

Actor Benicio del Toro had reportedly been sought as the villain, and had met with Abrams to discuss the role; however, he later bowed out. In 2011, Alice Eve and Peter Weller agreed to roles. Doctor Who actor Noel Clarke agreed to an unknown role, reported to be "a family man with a wife and young daughter". Demián Bichir auditioned for the villain role, but as reported by Variety on January 4th, 2012, Benedict Cumberbatch was cast.

Into Darkness began principal photography on January 12th, 2012, with a scheduled release date of May 16th, 2013. Cinematographer Dan Mindel shot the film using using a combination of anamorphic 35mm film and 15 perforation IMAX cameras. About 30 minutes of the film is shot in the IMAX format, while some other scenes were also shot on 8 perforation 65mm. Into Darkness was also released in 3D with conversion being done in post production. On February 24th, 2012, images from the set surfaced of Benedict Cumberbatch's character in a fight with Spock. Edgar Wright directed one shot in the film, which finished shooting in May 2012.

Filming was done on location in Los Angeles, California, and around the area at the Lawrence Livermore National Laboratory in Livermore. Additional locations included Paramount Studios in Hollywood, Sony Pictures Studios in Culver City, the Crystal Cathedral in Garden Grove and the Greystone Mansion in Beverly Hills. Some shots were made in Iceland.

Marc Okrand, the developer of the Klingon language, provided the Klingon dialogues with on-set coaching from constructed language experts. The dialogue did not make cohesive sense following editing and so new dialogue was constructed and dubbed during post production.

On September 10th, 2012, Paramount confirmed the film's title as Star Trek Into Darkness. J. J. Abrams had indicated that unlike some of the earlier films in the franchise, his second Star Trek would not include a number in its title. This decision was made to avoid repeating the sequel numbering which began with Star Trek II: The Wrath of Khan, or making a confusing jump from Star Trek to Star Trek 12. Lindelof addressed the team's struggle to agree on a title: "There have been more conversations about what we're going to call it than went into actually shooting it ... There’s no word that comes after the colon after Star Trek that’s cool. Not that Star Trek: Insurrection or First Contact aren't good titles, it’s just that everything that people are turned off about when it comes to Trek is represented by the colon". Of the titles proposed, he joked that he preferred Star Trek: Transformers 4 best because the title is "technically available".

Composer Michael Giacchino composed the film's incidental music. Into Darkness was Giacchino's fourth film collaboration with Abrams, which included 2009's Star Trek. The film score was recorded at the Sony Scoring Stage in Culver City, California from March 5th to April 3rd, 2013. Its soundtrack album was released digitally on May 14th, 2013, and was made available on May 28th through Varèse Sarabande. The score contains the original Star Trek theme by Alexander Courage and Gene Roddenberry.

On April 24th, 2013, it was announced that British singer Bo Bruce and Irish songwriter Gary Lightbody of Snow Patrol had collaborated on a song for the film's soundtrack entitled "The Rage That's In Us All". Australian songwriter and producer Robert Conley co-wrote a track with Penelope Austin, "The Dark Collide".

On May 10th, 2013, Cho, Pegg, and Eve were interviewed on The Bob Rivers Show to promote the film. Rivers asked about the title: "The title Star Trek Into Darkness indicates some sort of ominous turn, obviously". Eve suggested that Pegg discuss the theme of terrorism, and Pegg obliged: "I think it's a very current film, and it reflects certain things that are going on in our own heads at the moment; this idea that our enemy might be walking among us, not necessarily on the other side of an ocean, you know. John Harrison, Benedict Cumberbatch's character, is ambiguous, you know? We [the characters in the film] don't know who to support. Sometimes, Kirk, he seems to be acting in exactly the same way as him [Harrison]. They're both motivated by revenge. And the Into Darkness in the title is less an idea of this new trend of po-faced, kind of, everything's-got-to-be-a-bit-dour treatments of essentially childish stories. It's more about Kirk's indecision". Cho agreed about the characterization of Captain Kirk: "It's his crisis of leadership".

Kurtzman and Orci defined the main theme of Into Darkness as "how far will we go to exact vengeance and justice on an enemy that scares us. How far should we go from our values?" They added that running from personal values is a personal struggle, where "the enemy’s blood is within us; we are the enemy. We must not succumb to it; we are the same".

As part of a contest Abrams designed after the release of Super 8 (2011), the prize for answering a series of questions would be walk-on roles for two people in Into Darkness. He debuted three frames of the film on Conan on October 4th, 2012, showing what he described as Spock "in a volcano, in this crazy suit". The official poster for the film was released two months later on December 3rd, 2012, showing a mysterious figure (thought to be Benedict Cumberbatch's villain) standing on a pile of burning rubble looking over what appears to be a damaged London; he is standing in a hole in the shape of the Starfleet insignia, blown out of the side of a building.

About nine minutes of the opening sequence was shown before IMAX presentations of The Hobbit: An Unexpected Journey, which was released in the United States on December 14th, 2012. Alice Eve, Cumberbatch and Burk unveiled the IMAX prologue in London, England on December 14th. A two-minute teaser was released in iTunes Movie Trailers on December 17th. The teaser marked the beginning of a viral marketing campaign, with a hidden link directing fans to a movie-related website. A 30-second teaser premiered February 3rd, 2013 during the stadium blackout of Super Bowl XLVII. The same day, Paramount released apps for Android, iPhone and Windows Phone which enabled users to unlock tickets for showtimes two days before the film's release date.

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When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction.
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An international trailer was released on March 21st, 2013, with an embedded URL revealing an online-only international poster. On April 8th, Paramount released the final international one-sheet featuring solely Benedict Cumberbatch's character. On March 24th, 2013, at 9:30 pm a swarm of 30 mini-quadrotors equipped with LED lights drew the Star Trek logo over London. This choreography marked the beginning of the Paramount UK marketing campaign for Star Trek Into Darkness. It was coordinated with the World Wildlife Fund (WWF) Earth Hour event and was performed and developed by Ars Electronica Futurelab from Linz (Austria) in cooperation with Ascending Technologies from Munich (Germany).

On April 12th, 2013, iTunes Movie Trailers revealed the final domestic one-sheet featuring the USS Enterprise, and announced that the final US domestic trailer would be released on April 16th. In the days leading up to the trailer release, character posters featuring Kirk, Spock, Uhura, and Harrison were released on iTunes. Paramount attempted to broaden the film's appeal to international audiences, an area where Star Trek and other science-fiction films had generally performed poorly. Into Darkness was dedicated to post-9/11 veterans. J. J. Abrams is connected with The Mission Continues, and a section of the film's website is dedicated to that organization.

The cast (except for Anton Yelchin, Bruce Greenwood, and Peter Weller) participated in May 2013 press junkets. On May 7th, Pegg appeared on Jimmy Kimmel Live!. On May 8th, Quinto was interviewed on Late Night with Jimmy Fallon. He was followed on May 10th by Cumberbatch (who told Fallon that his fans are called "Cumberbitches"; Fallon countered that his are called "FalPals") and on May 17th by Saldana. Saldana said that she lobbied Abrams for four years: "If we make a sequel, Uhura needs to kick ass". On May 9th, Cumberbatch appeared on the Late Show with David Letterman.

On May 10th, Cho, Pegg, and Eve had a radio interview on The Bob Rivers Show. They discussed approaching a body of work already mastered by an earlier generation of actors, agreeing that they would remain with the franchise as long as it lasted. That night, Chris Pine appeared on the Late Show with David Letterman; Letterman showed a gag reel of robots in a black-and-white film before showing a clip from Into Darkness. Pine said that he had to gain weight for the part of Captain Kirk.

One story told by cast members during the promotion concerned an on-set prank initially devised by Pegg, which he later noted grew out of proportion. While filming at the National Ignition Facility, Pegg and Pine (with the crew's help) tricked the arriving actors into believing there was "ambient radiation" at the location and they had to wear "neutron cream" to avoid being burned by it. Cumberbatch was tricked into signing a release (which was meant to give the joke away, but he signed it without reading it), while Urban and Cho were tricked into recording a public service announcement about the necessity for neutron cream.

Into Darkness earned $13.5 million on its opening day in the United States and Canada, lower than Star Trek's $30.9 million. The film earned $22 million the following Friday, also lower than its predecessor's earnings four years earlier ($26 million). It earned $70.6 million during its opening weekend, finishing in the US box-office top spot (above The Great Gatsby and Iron Man 3). Total weekend earnings were $84.1 million, including the early-showing grosses. Although these were lower than Paramount's projected box-office earnings, studio vice-chairman Rob Moore said he was "extremely pleased" with the sequel's performance.

Several weeks after release, the film grossed $147 million at the foreign box office, surpassing the lifetime international earnings of its predecessor. Into Darkness reached the top spot of China's box office with a $25.8 million gross, tripling the overall earnings of the previous film during its opening weekend. Star Trek Into Darkness ended its North American theatrical run on September 12th, 2013, as the 11th highest-grossing film for 2013. Worldwide, it ranked in 14th place for 2013, making it the highest-grossing film of the franchise to date.

The film has received positive reviews, with critics calling it a "rousing adventure" and "a riveting action-adventure in space". Cumberbatch's performance attracted praise from critics, with Peter Travers of Rolling Stone calling it a "tour de force to reckon with" and his character "a villain for the ages". Joe Neumaier of the New York Daily News wrote that Cumberbatch delivered "one of the best blockbuster villains in recent memory". Jonathan Romney of The Independent noted Cumberbatch's voice, saying it was "so sepulchrally resonant that it could have been synthesised from the combined timbres of Ian McKellen, Patrick Stewart and Alan Rickman holding an elocution contest down a well". The New York Times praised his screen presence: "He fuses Byronic charisma with an impatient, imperious intelligence that seems to raise the ambient I.Q. whenever he’s on screen".

Not all of reviews were positive, however; The Independent said the film would "underwhelm even the Trekkies". Lou Lumenick of the New York Post gave the film one-and-a-half stars (out of four), saying it had a "limp plot" and the "special effects are surprisingly cheesy for a big-budget event movie".

The film was criticized for a scene with actress Alice Eve's character Carol in her underwear, which was called "wholly unnecessary" and "gratuitous". Screenwriter and producer Damon Lindelof apologized on Twitter for the scene: "I take responsibility and will be more mindful in the future". On Conan, Abrams addressed the matter by debuting a deleted scene of actor Benedict Cumberbatch's character Khan taking a shower. Eve addressed the underwear controversy at a 2013 Las Vegas Star Trek Convention and said, "I didn’t know it would cause such a ruckus. I didn’t feel exploited." Criticism of the scene is overblown. It's actually very amusing showing Kirk's somewhat "adolescent" attitude towards woman (he just can't help but peek) combined with the inside information the audience has about the Carol Marcus character and the role she will play in Kirk's future.

Despite an acclaimed performance from Cumberbatch, Christian Blauvelt of Hollywood.com criticized the casting of the actor as Khan Noonien Singh, considering that the character had been "whitewashed into oblivion", since Khan is of Indian descent in the Star Trek canon (although played by a Mexican born American actor, Ricardo Montalbán). There have been similar accusations of whitewashing by fans and American Sikhs. George Takei, the original Hikaru Sulu, was also disappointed with Cumberbatch's casting as was Star Trek: Voyager actor Garrett Wang who tweeted "The casting of Cumberbatch was a mistake on the part of the producers. I am not being critical of the actor or his talent, just the casting". On Trekmovie.com, co-producer and co-screenwriter Bob Orci addressed Khan's casting: "Basically, as we went through the casting process and we began honing in on the themes of the movie, it became uncomfortable for me to support demonizing anyone of color, particularly any one of Middle Eastern descent or anyone evoking that. One of the points of the movie is that we must be careful about the villain within US, not some other race". Looking at it from Orci's perspective Cumberbatch's casting makes sense despite the variation from Star Trek canon.

It's been suggested around the Hall of Fame AV Club that all this "controversy" could have simply been avoided by making Cumberbatch's character the, son on Kahn. It would have fit nicely into the plot. The backstory would have Peter Weller's character trying to "thaw out" the father first, killing him in the process. He then "thaws out" the son but lies to him about the cause of his fathers death. When the son learns the truth he sets out to get his revenge and free his people. This would dovetail into the Kirk storyline. When Pike is killed by Kahn, Kirk seeks his own revenge as well for a man who was a surrogate father figure to the young Captain.

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