"Oh, Rob!" |
- W.J. Flywheel, Webporium
Curator |
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THE DICK VAN DYKE SHOW
FIFTH SEASON EPISODE GUIDE |
After the show's creators announce their
intention to quit while they're ahead of the game, the series ends
its celebrated run at the close of the fifth year. Carl Reiner trades
off producer's chores with story consultants Bill Persky and Sam
Denoff, who maintain the show's high standards in a final season that
includes some of the show's most fondly remembered episodes.
Fifth-year scripts are contributed by a
wide array of writers, including notable efforts from Garry Marshall
and Jerry Belson, Carl Kleinschmitt and Dale McRaven, John Whedon,
and, as usual, Bill Persky and Sam Denoff. |
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1.
Coast-to-Coast Big Mouth |
September 15, 1965 |
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"Uh, Alan, whatever you were gonna
say to Laura, I would rather you said to me." |
- Rob Petrie |
"Okay, Rob. If that's the way you
want it: Rob, you're a beautiful girl." |
- Alan Brady |
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Laura faces Alan Brady's wrath after a
fast-talking game-show host goads her into admitting that the star
wears a toupee. |
Writers: Bill Persky, Sam Denoff,
Director: Jerry Paris |
Guest Stars: Carl Reiner, Dick Curtis |
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On December 11, 2016 CBS aired two
colorized episodes of The Dick Van Dyke Show, "That's My
Boy" and "Coast to Coast Big Mouth" (above). |
When Bill Persky learned that these two
classic episodes he co-wrote with his partner, Sam Denoff, would be
colorized, he contacted series creator Carl Reiner to see if his
worst fear would be realized. Alas, the answer was yes: true to the
shows actual set, the living-room couch at 148 Bonnie Meadow
Rd. in New Rochelle NY, would be same hideous yellow-orange on-screen
that it was in real life. "God, I hated that couch,' Persky
recalled with a rueful laugh. 'It was ugly. Those two people (Rob
& Laura) would never have bought that couch." |
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2.
A Farewell to Writing |
September 22, 1965 |
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"Boy, you people are moody.
One minute we're singin' and the next
minute we're goin' in the kitchen." |
- Millie Helper |
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Rob hopes a few days of seclusion in a
mountain cabin will motivate him to complete his novel, but it nearly
drives him stir-crazy instead. Rob expends most of his efforts on
avoiding writing, as he perfects his paddle-ball swing and horses
around with a pair of cowboy six-shooters he finds in the cabin. The
producers knew Van Dyke well enough to know they couldn't go wrong by
leaving Rob Petrie alone in a room filled with funny props. |
Writers: Fred Freeman, Lawrence J. Cohen,
Director: Jerry Paris |
Guest Star: Guy Raymond |
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3.
Uhny Uftz |
September 29, 1965 |
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"I-I heard it, too." |
- Buddy Sorrell |
"How do I know I'm not dreamin' YOU?" |
- Rob Petrie |
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Rob, Buddy and Sally are working late on
the script for the Alan Brady Show. When Buddy and Sally step from
the room for coffee, Rob sees what he thinks is a flying saucer
hovering outside their office window, hearing it also utter the
mysterious phrase, "Uhny Uftz." After an embarrassing
attempt to report the saucer to the authorities, Rob becomes
convinced it was just an illusion caused by fatigue, until the saucer
and its puzzling phrase reappear during another late night writing session. |
Writers: Carl Kleinschmitt, Dale McRaven,
Director: Jerry Paris |
Guest Stars: Karl Lukas, Ross Elliott,
Madge Blake, John Mylong |
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The saucer used in this episode came up in
a Hollywood Auction in 2011. The catalogue discription (below) shows
that the paint job had been changed possibly so it could be used in
the series Project U.F.O. in 1978. We don't know who was the lucky
person who got to add this to their collection. |
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4.
The Ugliest Dog in the World |
October 6, 1965 |
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"Pygmalion? Do you think it'd work
with a dog?" |
- Mel Cooley |
"Why not? It was great with pigs." |
- Sally Rogers |
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Rob brings the ugliest dog anyone's ever
seen to the studio for a dog sketch. No one stops to consider what
becomes of the poor pooch once he's no longer needed and he ends up a
temporary ward of the Petries after his abbreviated appearance on The
Alan Brady Show. |
Writers: Bill Persky, Sam Denoff,
Director: Lee Philips |
Guest Stars: Billy De Wolfe, George Tyne,
Michael Conrad, Florence Halop, Barbara Dodd |
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To get Horrible prettier, Laura tells Rob
to call the Puppy Palace. When they get to the groomers, Rex' jacket
says Poodle Palace. The character played by Billy De Wolfe introduces
himself as "Rex Fitzpalding." That would make Florence
Halop's character, Rex's wife Rocky, "Mrs. Fitzpalding,"
yet the credits list her as "Mrs. Spaulding." |
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5.
No Rice at My Wedding |
October 13, 1965 |
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"Just remember that all the time I'm
out with him I'll be thinking of you. " |
- Laura Meehan |
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A news article prompts Rob and Laura to
recall the extremely handsome Cpl. Clark Rice, who won Laura in an
Army raffle and almost derailed Rob and Laura's relationship. |
Writers: Garry Marshall, Jerry Belson,
Director: Lee Philips |
Guest Stars: Van Williams, Bert Remsen,
Johnny Silver, Allan Melvin |
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From previous episodes (also told in
flashback), Rob was a Staff Sergeant (three chevrons and 1 rocker)
when he began to romance Laura (the USO dancer) (Season One: Oh How
We Met the Night that We Danced) and again when they were getting
married (Season Two: The Attempted Marriage). But in this episode,
Rob was a mere Sergeant (three chevrons and no rockers). It is highly
unlikely that he was demoted briefly and then promoted again; it is
more likely that they forgot from the original rank they had
previously claimed for him. |
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6.
Draw Me a Pear |
October 20, 1965 |
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"I'm gonna go change into something
more comfortable." |
- Valerie Ware |
"Uh-oh." |
- Rob Petrie |
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Laura regrets hauling Rob into taking art
lessons with her after the lady teacher, Valerie Ware, appears to
show an above-average interest in him. |
Writers: Art Baer, Ben Joelson, Director:
Jerry Paris |
Guest Stars: Ina Balin, Jackie Joseph,
Frank Adamo, Jody Gilbert, Dorothy Neumann |
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7.
The Great Petrie Fortune |
October 27, 1965 |
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[reading the will] "Now, suppose we
get this over with as fast as possible.
These matters are never pleasant, and my
wife has a roast in the oven." |
- Leland Ferguson |
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Rob and Laura attend the reading of the
will left by Rob's elderly Uncle Hezekiah. After some fairly generous
financial bequests are given to Rob's relatives, they are ushered out
of the room, and Rob and Laura are shown a short film of Uncle
Hezekiah informing Rob that he's left him his old roll-top desk;
Hezekiah then sings him a chorus of "Me and My Shadow,"
which is supposed to be a clue to a "treasure" Hezekiah
claims is hidden in the desk. |
Writers: Ernest Chambers, Jay Burton,
Director: Jerry Paris |
Guest Stars: Dan Tobin, Herb Vigran,
Forrest Lewis, Elvia Allman, Amzie Strickland, Howard Wendell, Tiny Brauer |
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Since he was born in 1863 and before
November 18th of that year when Abraham Lincoln visited Gettysburg to
deliver his famous address, and if we assume that this episode took
place the same date it aired, October 27th, 1965, Uncle Hezekiah
would have been either 101 or 102 years old when he died. |
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8.
Odd But True |
November 3, 1965 |
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"Well, there he is, the fabulous Mr. Freckle." |
- Sally Rogers |
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As Rob naps one afternoon, Ritchie and his
friend Freddie connect the freckles on Rob's back. Laura and Millie
notice that the pattern resembles the Liberty Bell, so Rob
reluctantly decides to follow Millie's suggestion that Rob submit it
to "Odd but True," which publicizes unusual stunts and
physical phenomena and, in exchange, pays the person responsible a
$500 prize. |
Writers: Garry Marshall, Jerry Belson,
Director: Jerry Paris |
Guest Stars: James Millhollin, Hope
Summers, Peter Oliphant, David Fresco, Bert May, Ray Kellogg |
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Bill Persky and Sam Denoff begin their
stint as producers with this episode, after Carl Reiner takes a
temporary leave to film The Russians Are Coming, The Russians Are Coming. |
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9.
Viva Petrie |
November 10, 1965 |
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"A guy who cooks as good as he does
doesn't fight bulls, he barbecues them." |
- Sally Rogers |
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The Petries wonder if they're being duped
when former maid Maria sends her matador boyfriend to work for them.
His personality doesn't seem that of the bullfighter he claims to be. |
Writer: John Whedon, Director: Jerry Paris |
Guest Stars: Joby Baker, Jack Bernardi |
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Rob's dialog with Maria on the phone
indicates that she uses the word "amigo" for Manuel, who is
either her boyfriend or her fiancé. "Amigo" is not
used for either such relationship. It means a platonic friend
(boyfriend is "novio," fiancé could be
"novio" or "prometido"). |
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10.
Go Tell the Birds and Bees |
November 17, 1965 |
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"Oh, okay, but it's the last time I'm
gonna tell ya. The whole thing takes two or three months. Huh? Yeah,
I know Freddie had to wait almost a year, but that's 'cause his
family don't eat any cereal." |
- Ritchie Petrie |
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Ritchie's been giving lectures to the
other children at school about human reproduction - fanciful stories
that prompt his teacher to summon Rob and Laura to discuss the matter. |
Writer: Rick Mittleman, Director: Jerry Paris |
Guest Stars: Alberta Nelson, Peter Hobbs |
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11.
Body and Sol |
November 24, 1965 |
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"Well, he can't take you on a picnic
this Sunday. He's going to be fighting." |
- Sol Pomerantz |
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Rob recalls for Buddy and Sally his Army
boxing days when peer pressure at the base put him in the ring with
current-day middleweight champ Boom Boom Bailey. Writer Garry
Marshall has a cameo as the referee of Rob's boxing match. |
Writers: Carl Kleinschmitt, Dale McRaven,
Director: Jerry Paris |
Guest Stars: Allan Melvin, Ed Peck,
Michael Conrad, Garry Marshall, Barbara Dodd, Paul Stader, Burt Taylor |
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12.
See Rob Write, Write Rob, Write |
December 8, 1965 |
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"I tell you I can see symbolism even
when it isn't there.
Now, you take this character Rollie on
Fire Island.
If people knew what he was really writing
about, we'd all be in jail." |
- Ollie Wheelwright |
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The Petries find themselves locked in
literary competition after Rob volunteers his help on a children's
book that Laura's writing. |
Writers: Lawrence J. Cohen, Fred Freeman,
Director: Jerry Paris |
Guest Star: John McGiver |
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13.
You're Under Arrest |
December 15, 1965 |
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"We heard the noise, and Jerry looked
out and saw it was Rob and says he's probably drunk." |
- Millie Helper |
"Millie. Really." |
- Laura Petrie |
"Well, you're both too perfect. Jerry
says sooner or later you're gonna crack." |
- Millie Helper |
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Rob storms out of the house after he and
Laura have an argument, spending the evening at a drive-in theater.
Returning home about one o'clock in the morning, Rob and Laura make
up, but Rob is a little worse for wear since he sustained a black eye
falling on Jerry and Millie's lawn jockey. Being virtually alone for
the night causes problems for Rob later as police search for someone
who drove a car matching Rob's who allegedly assaulted an elderly
woman at a bar. Having nothing to hide, Rob tries to cooperate with
the police, but the more he does, the guiltier he looks and sounds. |
Writer: Joseph C. Cavella, Director: Jerry Paris |
Guest Stars: Phillip Pine, Lee Krieger,
Sandy Kenyon, Ed McCready, Bella Bruck, Tiny Brauer, Johnny Silver |
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14.
Fifty-two Forty-five or Work |
December 29, 1965 |
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"A good comedy writer is worth his
weight in sour cream." |
- Buddy Sorrell |
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Mel comes into the writers' office with
news that Alan has decided the show will go into summer reruns,
meaning that the staff is off on summer vacation - or technically
laid off - for two months. Although happy about the news, Rob has a
sense of déjà vu to precisely nine years earlier when
he just joined the writing staff of the show. Then, Mel came in with
the exact same news. Sally and Buddy were ecstatic as it allowed them
to take other temporary writing jobs. Rob, being relatively new in
the business, had no such offers, and, without telling his colleagues
due to embarrassment, was worried about how to make ends meet,
especially with mortgage payments, no furniture in the new house and
a baby on the way. |
Writer: Rick Mittleman, Director: Jerry Paris |
Guest Stars: Reta Shaw, Dabbs Greer, Al
Ward, John Chulay, Jerry Hausner, James Frawley |
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15.
Who Stole My Watch? |
January 5, 1966 |
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"You can't very well talk behind my
back to my face, can you?" |
- Millie Helper |
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Rob plays amateur sleuth when his new
watch turns up missing and he becomes convinced it was stolen by one
of his friends. |
Writer: Joseph Bonaduce, Director: Jerry Paris |
Guest Star: Milton Frome |
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16.
I Do Not Choose to Run |
January 19, 1966 |
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[Rob likes the idea of being called
Councilman Petrie]
"Hey, if you're city councilman,
what'll they call me?" |
- Laura Petrie |
"Probably Laura." |
- Rob Petrie |
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Rob's stirring speech at a citizen's
meeting brings him an unexpected nomination for a seat on the New
Rochelle City Council. |
Writers: Dale McRaven, Carl Kleinschmitt,
Director: Jerry Paris |
Guest Stars: Arte Johnson, Philip Ober,
George Tyne, Peter Brocco, Howard Wendell, Helen Spring |
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In this two episode story
arc, Arte Johnson, later a star of NBC's Laugh-In, has a role as the
high-powered media coordinator of Rob's political campaign, while
Wally Cox, star of TV's Mr. Peepers in the early 1950s, plays Rob's
well-versed competitor, Lincoln Goodheart. Johnson's Laugh-In co-star
Henry Gibson would be a guest on an episode later in the season (Talk
to the Snail). |
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17.
The Making of a Councilman |
January 26, 1966 |
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"I want to win all right, but I want
to win on my qualifications, not on my smile." |
- Rob Petrie |
"Well, we heard your qualifications -
you better stick to the smile." |
- Buddy Sorrell |
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Rob has second thoughts about running for
city council after he meets his eminently more qualified opponent. |
Writers: Carl Kleinschmitt, Dale McRaven,
Director: Jerry Paris |
Guest Stars: Wally Cox, George Tyne,
Margaret Muse, Lia Waggner, Arthur Adams, Remo Pisani, James
Henaghan, Jr., Kay Stewart, Holly Harris, Marilyn Hare, Lorna Thayer |
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18.
The Curse of the Petrie People |
February 2, 1966 |
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"Well, let's look at it this way,
honey: it's not the thought,
it's the ugliness behind it." |
- Rob Petrie |
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Laura accidentally drops a recently
bestowed Petrie family heirloom (as ugly as it is priceless) down the
garbage disposal and tries to cover up the mishap before anyone notices. |
Writers: Dale McRaven, Carl Kleinschmitt,
Director: Jerry Paris |
Guest Stars: Tom Tully, Isabel Randolph,
Leon Belasco |
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Ritchie is missing. Grandparents always
want to see their grandchildren when they visit, yet not one word is
asked about him. When Ritchie isn't around, he's often watched by
next door neighbor Millie, but Millie is among the party guests and
not even watching her own kids while husband Jerry is away at a
meeting, leaving viewers to wonder where all the kids have gone? |
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19.
The Bottom of Mel Cooley's Heart |
February 9, 1966 |
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"I'm NOT impatient... and your time
is up!" |
- Alan Brady |
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Mel loses his job after Rob convinces him
to stand up to Alan Brady's bullying. |
Writer: John Whedon, Director: Jerry Paris |
Guest Star: Carl Reiner |
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20.
Remember the Alimony First |
February 16, 1966 |
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"Please, you are getting a divorce.
This is no time for arguments." |
- Juan |
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Rob and Laura recall a hectic trip to
Mexico that almost spelled the end of their new marriage. |
Writers: Dale McRaven, Carl Kleinschmitt,
Director: Jerry Paris |
Guest Stars: Lee Krieger, Allan Melvin,
Don Diamond, Bernie Kopell, Shelah Hackett, Jose Nieto, Guillermo DeAnda |
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21.
Dear Sally Rogers |
February 23, 1966 |
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"Fellas, if you're dull,
uninteresting, unattractive, chances are we've already met; but, if
you're of voting age - better make that twice voting age..." |
- Sally Rogers |
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Sally's televised plea for a husband on a
late-night talk show yields unexpected results, including a letter
from Mr. Right. This episode suggests one possible conclusion to the
bittersweet saga of Sally's oft-stalled love life when her secret
admirer is revealed to be Herman Glimscher. |
Writer: Ronald Axe, Director: Richard Erdman |
Guest Stars: Richard Schaal, Bill Idelson,
Bert Remsen |
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Dick Schaal plays talk-show host Stevie
Parsons. The talented character actor would hit his stride a few
years later as a recurring player on The Mary Tyler Moore Show. |
This was the last appearance of Sally's
boyfriend Herman Glimscher in the series. |
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22.
Buddy Sorrell
- Man
and Boy |
March 2, 1966 |
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"Yeah, slept like a log. I must've. I
woke up this morning, I was in the fireplace." |
- Buddy Sorrell |
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Buddy's nervous behavior, testiness and
evasive lying lead Rob and Sally to think he's seeing a psychiatrist
- or worse, cheating on Pickle's. But they discover he's been
nervously preparing for his belated bar mitzvah. |
Writers: Ben Joelson, Art Baer, Director:
Richard Erdman |
Guest Stars: Pippa Scott, Ed Peck, Arthur
Ross Jones, Sheldon Golomb, Maria Sokolov |
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During Buddy's Bar Mitzvah ceremony, he
mentions his mother, wife, and friends, but as the camera pans the
congregation, Pickles (his wife) is not present. Neither is she
present in the group shot at the end. |
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23.
Bad Reception in Albany |
March 9, 1966 |
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"Honey, Reverend Dorman HAS to
forgive me." |
- Rob Petrie |
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In Albany, Rob and Laura attend the
wedding of Laura's cousin, with Laura as matron of honor and Rob as
an usher. Rob sends Laura ahead to the church alone and he stays in
their hotel room to watch a televised fashion show to assess the
talent of a young woman Alan Brady is contemplating hiring for the
show. Despite Laura's concerns, Rob figures he has plenty of time but
things don't go as smoothly as planned when the television set in his
room shorts out and he has to search the hotel for a functioning TV
set during the annual convention of the Seals Lodge. If that weren't
enough, Rob forgets the name of the church where the wedding is about
to start. |
Writers: Garry Marshall, Jerry Belson,
Director: Jerry Paris |
Guest Stars: Bert Remsen, Tom D'Andrea,
Joseph Mell, Johnny Haymer, Robert Nichols, Chanin Hale, Bella Bruck,
Lorraine Bendix, Joyce Wellington, Tiny Brauer |
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24.
Talk to the Snail |
March 23, 1966 |
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"We're not in any trouble. According
to a very well-known authority, a handshake with a snail is not
legally binding." |
- Rob Petrie |
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When Rob, Sally and Buddy have to dig
through building trash containers for a lost script, Rob finds a
network memo to Alan Brady saying he must fire one writer. Rather
than be split up, they seek a new gig together and ends up Rob
interviewing for a position as staff writer for a talking snail. |
Writers: Jerry Belson, Garry Marshall,
Director: Jerry Paris |
Guest Stars: Paul Winchell, Henry Gibson,
Carl Reiner |
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Henry Gibson recites "Keep-A'
Goin'!" by Frank Lebby Stanton, the poem that would be his
trademark on NBC's Laugh-In. In the film "Nashville",
Gibson's character Haven Hamilton sings a version of this poem at the
Grand Ole Opry. |
Jellybean the Snail is brought to life by
ventriloquist Paul Winchell. |
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25.
A Day in the Life of Alan Brady |
April 6, 1966 |
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"These people are supposed to be my
friends, the little people who love me.
Why don't you rush to the door and love me?" |
- Alan Brady |
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A film crew takes over the Petrie house
during Mille and Jerry's wedding anniversary party for an Alan Brady
documentary that aims to show the megalomaniac's "human"
side. Assistant director John C. Chulay has a cameo as the director
of the documentary crew. |
Writer: Joseph Bonaduce, Director: Jerry Paris |
Guest Stars: Carl Reiner, Kim Ford, Lou
Wills, John Chulay, Joyce Jameson |
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In the party scene, Frank Adamo and Eddie
Paskey can be seen talking together. Both would later achieve cult
status as frequently seen but often uncredited background players.
Frank as numerous characters in "The Dick Van Dyke Show"
and Eddie as Lt. Leslie in "Star Trek." |
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26.
Obnoxious, Offensive, Egomaniac, Etc. |
April 13, 1966 |
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"It's my sister's house, and I'm
welcome there any time that Alan's not home." |
- Mel Cooley |
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Rob, Buddy, and Sally try to retrieve a
script that contains less-than-flattering descriptions of their
arrogant boss before he has a chance to see it. |
Writers: Carl Kleinschmitt, Dale McRaven,
Director: Jerry Paris |
Guest Stars: Forrest Lewis, Carl Reiner |
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This episode was inspired by writers Carl
Kleinschmitt and Dale McRaven's own experiences writing for The Joey
Bishop Show (1961). Joey Bishop could be very hard on the writers at
times and they often added their insulting comments about Joey in the
margins of their scripts. They would white them out before Bishop saw them. |
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When the gang enters Alan
outer office, a shadow of the boom mic can be seen on the hallway door. |
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27.
The Man From My Uncle |
April 20, 1966 |
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"We read you and we'll release all
your agents if you just stop playing with our equipment." |
- Harry Bond |
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It's the beginning of a three day weekend
for Rob, and his already giddy mood is heightened even further when
Mr. Phillips, a federal agent, stops by wanting to use their house as
a stakeout post to watch the goings-on of their neighbor, Mr. Gerard.
It isn't Mr. Gerard they are after, but his criminal nephew. Laura
doesn't like the idea of their house being used for a stakeout, but
Rob thrives on the idea of a little excitement. Phillips sends Agent
Harry Bond to conduct the stakeout and Rob can't help but get in
Harry's way as he eagerly wants to insinuate himself in the spy game.
When a little trouble may finally be brewing at Gerard's house, Rob
may have to get involved in the surveillance, as Harry is suffering
not only from over-exposure to Rob, but a massive toothache. One of
our Hall of Fame staff favorities. |
Writers: Garry Marshall, Jerry Belson,
Director: Jerry Paris |
Guest Stars: Godfrey Cambridge, Biff
Elliott, Steve Geray |
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The layout of Ritchie's bedroom is all
wrong for looking out front of the Petrie house. For one thing, there
is an entire guest bedroom blocking it. When Rob and Harry exit the
room for the front door, they turn left instead of right, which
either puts them in the kitchen or suggests Ritchie's bedroom is
approximately right where the kitchen is located. |
Agent Bond interrupts his conversation
with Agent Phillips via walkie-talkie (because Rob was listening),
but those devices use push-to-talk. Agent Phillips would not know
that Agent Bond was speaking until he stopped transmitting. (However,
Agent Bond's premature transmission had the effect of stopping the
reception of Agent Phillips' insult of Rob.) |
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28.
You Ought to Be in Pictures |
April 27, 1966 |
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"This is my wife, Laura." |
- Rob Petrie |
"Oh, good casting." |
- Leslie Merkle |
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When Rob is cast opposite a voluptuous
Italian in an underground film, Laura keeps a close watch on the star
chemistry. Would-be actor Rob can barely stammer out a line and
fumbles even worse when he's called on to kiss the beautiful starlet.
Ever the dutiful husband, he first asks his wife, "May I?"
Jack Winter won a Writer's Guild Award for this episode. |
Writer: Jack Winter, Director: Jerry Paris |
Guest Stars: Michael Constantine, Jayne
Massey, Frank Adamo |
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29. Love
Thy Other Neighbor |
May 4, 1966 |
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"We haven't lost anybody's friendship
- and even if we have, who needs 'em?" |
- Laura Petrie |
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A new neighbor turns out to be Laura's old
school chum whose friendship predates Millie's friendship and leaves
Millie feeling left out. |
Writers: Dale McRaven, Carl Kleinschmitt,
Director: Jerry Paris |
Guest Stars: Joby Baker, Sue Taylor |
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Guest star Joby Baker, a favorite of
writers Persky and Denoff, made his second appearance of the season
in this episode. In 1967, the writers would co-star the actor in Good
Morning World, a series that bore distinct echoes of The Dick Van
Dyke Show, including a set design that afforded a glimpse of what the
Petries' living room might have looked like in full color. |
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30. Long
Night's Journey Into Day |
May 11, 1966 |
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[answers the phone and nobody talks]
"Oh, I hate it when it does that.
Just like that movie where the lady gets murdered. No it isn't. It's
nothing like that at all." |
- Laura Petrie |
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Laura and Millie spend a terrifying night
with only a mynah bird to keep them company after Rob and Jerry go
off for a weekend fishing trip. |
Writers: Jerry Belson, Garry Marshall,
Director: Jerry Paris |
Guest Star: Ogden Talbot |
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31. The
Gunslinger |
May 25, 1966 |
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"Miss Sally, I don't know the meanin'
of the word scared.
Terrified, panic-stricken - I know all of
THOSE words." |
- Rob Petrie |
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While anesthetized in Jerry's dentist's
chair for a tooth extraction, Rob dreams that he's a sheriff in the
Old West, the only man who can save the town from the threat of Big
Bad Brady. |
Writers: Bill Persky, Sam Denoff,
Director: Jerry Paris |
Guest Stars: Carl Reiner, Allan Melvin |
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In this episode virtually everyone
associated with the show in any way has a cameo appearance and
although it was not the last episode broadcast, this was actually the
last episode of "The Dick Van Dyke Show" ever filmed. The
final episode that was broadcast, "The Last Chapter," was
mostly a "clip show" of snippets taken from earlier
episodes, with a short epilogue that was filmed a week earlier than
"The Gunslinger" following the filming of the episode
"Love Thy Other Neighbor." |
The scene where Rob gets off his horse and
then discovers he's left his boot in the stirrup was the only time
that a sequence of "The Dick Van Dyke Show" (which normally
was shot in front of a live in-studio audience) was filmed in an
exterior location. The scene was filmed on the same lot used by the
series "Gunsmoke". |
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32. The
Last Chapter |
June 1, 1966 |
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"And Rob won't have to shave his head
- I'll wear a toupee." |
- Alan Brady |
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Laura excitedly reads the completed
manuscript of Rob's autobiography, a comical look at the life and
times of a TV comedy writer and his loving wife. High points in the
colorful saga of Rob and Laura Petrie are recounted in flashbacks of
Rob's stuttering marriage proposal, his faltering stumble down the
aisle, and Laura's eventful trip to the maternity ward. The show
finally ends where it began, as Carl Reiner's Alan Brady announces
his plan to produce and star in a TV show based on the real-life
story of a TV comedy writer. |
Writers: Carl Reiner, Bill Persky, Sam
Denoff, Directors: Jerry Paris, John Rich |
Guest Stars: Carl Reiner, Dabbs Greer,
Herbie Faye, Frank Adamo, Tiny Brauer, Greg Morris, Mimi Dillard |
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In this show, the series finale, (a
"clip" show), Rob writes his autobiography and shows it to
everyone. At the end of the show Alan decides to buy the rights to
the manuscript and turn it into a TV series with him as the star
after he finishes the variety series - which is what Carl Reiner did
when he starred in the first unaired pilot for this series. |
Sally Rogers (Rose Marie) comments that
Alan intends to get Leonard Bershad to be the executive producer of
the television series he intends to make from Rob's book. This is an
inside joke referring to the real-life executive producer of "The
Dick Van Dyke Show," Sheldon Leonard, whose real name was
Sheldon Leonard Bershad. The characters Sheldon and Leonard from The
Big Bang Theory are also named after the famous television producer. |
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My Neat Stuff Hall of Fame Look
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Untitled
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