"My name is Templar, Simon Templar." - W.J. Flywheel, Webporium Curator THE SAINT TELEVISION SERIES THE SAINT BACK TO NEAT STUFF HALL OF FAME MAIN PAGE THE SAINT Simon Templar is a fictional Robin Hood-like criminal known as The Saint - plausibly from his initials; but the exact reason for his nickname is not known (although we're told that he was given it at the age of nineteen). Templar has aliases, often using the initials S.T. such as "Sebastian Tombs" or "Sugarman Treacle". Blessed with boyish humour, he makes humorous and off-putting remarks and leaves a "calling card" at his "crimes", a stick figure of a man with a halo. He is described as "buccaneer in the suits of Savile Row, amused, cool, debonair, with hell-for-leather blue eyes and a saintly smile..." The Saint is featured in a long-running series of books by Leslie Charteris published between 1928 and 1963. After that date, other authors collaborated with Charteris on books until 1983; two additional works produced without Charteris's participation were published in 1997. The character has also been portrayed in motion pictures, radio dramas, comic strips, comic books and three television series. The most famous TV series starred Roger Moore and ran from 1962 to 1969. Leslie Charteris was born Leslie Charles Bowyer-Yin, on May 12th 1907 in Singapore to a Chinese father, Dr S. C. Yin (Yin Suat Chwan, 1877–1958), and Lydia Florence Bowyer, who was English. His father was a physician, who claimed to be able to trace his lineage back to the emperors of the Shang Dynasty. Charteris became interested in writing at an early age. At one point, he created his own magazine with articles, short stories, poems, editorials, serials, and even a comic strip. He attended Rossall School in Fleetwood, Lancashire, England. Once his first book, written during his first year at King's College, Cambridge, was accepted, he left the university and embarked on a new career. Charteris was motivated by a desire to be unconventional and to become financially well off by doing what he liked to do. He continued to write English thriller stories, while he worked at various jobs from shipping out on a freighter to working as a barman in a country inn. He prospected for gold, dived for pearls, worked in a tin mine and on a rubber plantation, toured England with a carnival, and drove a bus. In 1926, he legally changed his last name to Charteris, after Colonel Francis Charteris. In a BBC Radio 4 documentary on the author his daughter would state that he selected his surname from the telephone directory. Charteris' third novel, Meet the Tiger (1928), introduced his most famous creation, Simon Templar. However, in his 1980 introduction to a reprint by Charter Books, Charteris indicated he was dissatisfied with the work, suggesting its only value was as the start of the long-running Saint series. Occasionally, he chose to ignore the existence of Meet the Tiger altogether and claimed that the Saint series actually began with the second volume, Enter the Saint (1930). Although he wrote a few other books (including a novelisation of his screenplay for the Deanna Durbin mystery-comedy Lady on a Train, and the English translation of Juan Belmonte: Killer of Bulls by Manuel Chaves Nogales), his lifework consisted primarily of Simon Templar Saint adventures, which were presented in novel, novella, and short-story formats over the next 35 years. Charteris relocated to the United States in 1932, where he continued to publish short stories and also became a writer for Paramount Pictures. However, Charteris was excluded from permanent residency in the United States because of the Chinese Exclusion Act, a law which prohibited immigration for persons of "50% or greater" Oriental blood. As a result, Charteris was forced to continually renew his six-month temporary visitor's visa. Eventually, an act of Congress personally granted his daughter and him the right of permanent residence in the United States, with eligibility for naturalisation, which he later completed. In America, The Saint became a radio series starring Vincent Price. In the 1940s, Charteris, besides continuing to write The Saint stories, scripted the Sherlock Holmes radio series featuring Basil Rathbone and Nigel Bruce. In 1941, Charteris appeared in a Life photographic adaptation of a short story of The Saint, with himself playing the Saint. The adventures of The Saint were chronicled in nearly 100 books (about 50 published in the UK and US, with others published in France). Charteris himself stepped away from writing the books after The Saint in the Sun (1963). The next year, Vendetta for the Saint was published and while it was credited to Charteris, it was actually written by science fiction writer Harry Harrison. Following Vendetta came a number of books adapting televised episodes, credited to Charteris, but written by others, although Charteris did collaborate on several Saint books in the 1970s. Charteris acted as an editor for these books, approving stories and making revisions when needed. He also edited and contributed to The Saint Mystery Magazine, a digest-sized publication. Charteris spent 55 years - 1928 to 1983 - as either writer of or custodian of Simon Templar's literary adventures, one of the longest uninterrupted spans of a single author in the history of mystery fiction, equalling that of Agatha Christie, who wrote her novels and stories featuring detective Hercule Poirot. Charteris also wrote a column on cuisine for an American magazine, and invented a wordless, pictorial sign language called Paleneo, which he wrote a book on. Charteris was also one of the earliest members of Mensa. Charteris was married four times, in 1931 to Pauline Schishkin (1911–1975), daughter of a Russian diplomat, in 1938 to Barbara Meyer (1907–1950), editor at The American Magazine and in 1943 to Elizabeth Bryant Borst (1909–2003), Boston society woman and night club singer. In 1952, Charteris married Hollywood actress Audrey Long (1922-2014 above left); the couple eventually returned to England, where he spent his last years living in Surrey. He died at Princess Margaret's Hospital Windsor, Berkshire, on April 15th 1993, survived by his wife and daughter, Patricia. Charteris brother was Rev Roy Bowyer-Yin, who was a Chaplain and Master of Choir, known for introducing a tradition of choral music to Ceylon. He left an abiding musical presence in Sri Lanka. The Saint's origin remains a mystery; he is explicitly British, but in early books (e.g. Meet the Tiger) there are references which suggest that he had spent some time in the United States battling prohibition gangsters. Presumably, his acquaintance with Bronx sidekick Hoppy Uniatz dates from this period. In the books, his income is derived from the pockets of the "ungodly" (as he terms those who live by a lesser moral code than his own), whom he is given to "socking on the boko". There are references to a "ten percent collection fee" to cover expenses when he extracts large sums from victims, the remainder being returned to the owners, given to charity, shared among Templar's colleagues, or some combination of those possibilities. Templar's targets include corrupt politicians, warmongers, and other low life. "He claims he's a Robin Hood", bleats one victim, "but to me he's just a robber and a hood". Robin Hood appears to be one inspiration for the character; Templar stories were often promoted as featuring "The Robin Hood of modern crime", and this phrase to describe Templar appears in several stories. A term used by Templar to describe his acquisitions is "boodle" (a term also applied to the short story collection). The Saint has a dark side, as he is willing to ruin the lives of the "ungodly", and even kill them, if he feels that more innocent lives can be saved. In the early books, Templar refers to this as murder, although he considers his actions justified and righteous, a view usually shared by partners and colleagues. Several adventures centre on his intention to kill (for example, "Arizona" in The Saint Goes West has Templar planning to kill a Nazi scientist). During the 1920s and early 1930s, The Saint is fighting European arms dealers, drug runners, and white slavers while based in his London home. His battles with Rayt Marius mirror the 'four rounds with Carl Petersen' of Bulldog Drummond. During the first half of the 1940s, Charteris cast Templar as a willing operative of the American government, fighting Nazi interests in the United States during World War II. Beginning with the "Arizona" novella, Templar is fighting his own war against Germany. The Saint Steps In reveals that Templar is operating on behalf of a mysterious American government official known as Hamilton who appears again in the next WWII-era Saint book, The Saint on Guard, and Templar is shown continuing to act as a secret agent for Hamilton in the first post-war novel, The Saint Sees it Through. The later books move from confidence games, murder mysteries, and wartime espionage and place Templar as a global adventurer. According to Saint historian Burl Barer, Charteris made the decision to remove Templar from his usual confidence-game trappings, not to mention his usual co-stars Holm, Uniatz, Orace and Teal, as they weren't appropriate for the post-war stories he was writing. Although The Saint functions as an ordinary detective in some stories, others depict ingenious plots to get even with vanity publishers and other rip-off artists, greedy bosses who exploit their workers and con men The Saint has many partners, though none last throughout the series. For the first half until the late 1940s, the most recurrent is Patricia Holm, his girlfriend, who was introduced in the first story, the 1928 novel Meet the Tiger in which she shows herself a capable adventurer. Holm appeared erratically throughout the series, sometimes disappearing for books at a time. Templar and Holm lived together in a time when common-law relationships were uncommon and, in some areas, illegal. They have an easy, non-binding relationship, as Templar is shown flirting with other women from time to time. However, his heart remains true to Holm in the early books, culminating in his considering marriage in the novella The Melancholy Journey of Mr. Teal, only to have Holm say she had no interest in marrying. Holm disappeared in the late 1940s, and according to Barer's history of The Saint, Charteris refused to allow Templar a steady girlfriend, or Holm to return (although according to the Saintly Bible website, Charteris did write a film story that would have seen Templar encountering a son he had with Holm). Holm's final appearance as a character was in the short stories "Iris", "Lida," and "Luella," contained within the 1948 collection Saint Errant; the next direct reference to her does not appear in print until the 1983 novel Salvage for the Saint. Another recurring character, Scotland Yard Inspector Claud Eustace Teal, could be found attempting to put The Saint behind bars, although in some books they work in partnership. In The Saint in New York, Teal's American counterpart, NYPD Inspector John Henry Fernack, was introduced, and he would become, like Teal, an Inspector Lestrade-like foil and pseudo-nemesis in a number of books, notably the American-based World War II novels of the 1940s. The Saint had a band of compatriots, including Roger Conway, Norman Kent, Archie Sheridan, Richard "Dicky" Tremayne (a name that appeared in the 1990s TV series, Twin Peaks), Peter Quentin, Monty Hayward, and his ex-military valet, Orace. In later stories, the dim-witted and constantly soused but reliable American thug Hoppy Uniatz was at Templar's side. Of The Saint's companions, only Norman Kent was killed during an adventure (he sacrifices himself to save Templar in the novel The Last Hero); the other males are presumed to have settled down and married (two to former female criminals: Dicky Tremayne to "Straight Audrey" Perowne and Peter Quentin to Kathleen "The Mug" Allfield; Archie Sheridan is mentioned to have married in "The Lawless Lady" in Enter the Saint, presumably to Lilla McAndrew after the events of the story "The Wonderful War" in Featuring the Saint). Charteris gave Templar interests and quirks as the series went on. Early talents as an amateur poet and songwriter were displayed, often to taunt villains, though the novella The Inland Revenue established that poetry was also a hobby. That story revealed that Templar wrote an adventure novel featuring a South American hero not far removed from The Saint himself. Templar also on occasion would break the fourth wall in an almost metafictional sense, making references to being part of a story and mentioning in one early story how he cannot be killed so early on; the 1960s television series would also have Templar address viewers. Charteris in his narrative also frequently breaks the fourth wall by making references to the "chronicler" of The Saint's adventures and directly addressing the reader and in one instance (the story "The Sizzling Saboteur" in The Saint on Guard) inserts his own name. Furthermore, in the 1955 story "The Unkind Philanthropist", published in the collection The Saint on the Spanish Main, Templar states outright that (in his fictional universe) his adventures are indeed written by a man named Leslie Charteris. The origins of The Saint can be found in early works by Charteris, some of which predated the first Saint novel, 1928's Meet the Tiger, or were written after it but before Charteris committed to writing a Saint series. Burl Barer reveals that an obscure early work, Daredevil, not only featured a heroic lead who shared "Saintly" traits (down to driving the same brand of automobile) but also shared his adventures with Inspector Claud Eustace Teal, a character later a regular in Saint books. Barer writes that several early Saint stories were rewritten from non-Saint stories, including the novel She Was a Lady, which appeared in magazine form featuring a different lead character. Charteris utilized three formats for delivering his stories. Besides full-length novels, he wrote novellas for the most part published in magazines and later in volumes of two or three stories. He also wrote short stories featuring the character, again mostly for magazines and later compiled into omnibus editions. In later years these short stories carried a common theme, such as the women Templar meets or exotic places he visits. With the exception of Meet the Tiger, chapter titles of Templar novels usually contain a descriptive phrase describing the events of the chapter; for example, Chapter Four of Knight Templar is titled "How Simon Templar dozed in the Green Park and discovered a new use for toothpaste". The period of the books begins in the 1920s and moves to the 1970s with the character being seemingly ageless. In early books most activities are illegal, although directed at villains. In later books, this becomes less so. In books written during World War II, The Saint was recruited by the government to help track spies and similar undercover work. Later he became a cold warrior fighting Communism. The quality of writing also changes; early books have a freshness which becomes replaced by cynicism in later works. A few Saint stories crossed into science fiction and fantasy, "The Man Who Liked Ants" and the early novel The Last Hero being examples; one Saint short story, "The Darker Drink", was even published in the October 1952 issue of The Magazine of Fantasy & Science Fiction. When early Saint books were republished in the 1960s to the 1980s, it was not uncommon to see freshly written introductions by Charteris apologizing for the out-of-date tone; according to a Charteris "apology" in a 1969 paperback of Featuring the Saint, he attempted to update some earlier stories when they were reprinted but gave up and let them sit as period pieces. The 1963 edition of the short story collection The Happy Highwayman contains examples of abandoned revisions; in one story published in the 1930s ("The Star Producers"), references to actors of the 1930s were replaced for 1963 with names of current movie stars; another 1930s-era story, "The Man Who Was Lucky", added references to atomic power. Charteris started retiring from writing books following 1963's The Saint in the Sun. The next book to carry Charteris's name, 1964's Vendetta for the Saint, was written by science fiction author Harry Harrison, who had worked on the Saint comic strip, after which Charteris edited and revised the manuscript. Between 1964 and 1983, another 14 Saint books would be published, credited to Charteris but written by others. In his introduction to the first, The Saint on TV, Charteris called these volumes a team effort in which he oversaw selection of stories, initially adaptations of scripts written for the 1962–1969 TV series The Saint, and with Fleming Lee writing the adaptations (other authors would later take over from Lee). Charteris and Lee collaborated on two Saint novels in the 1970s, The Saint in Pursuit (based on a story by Charteris for the Saint comic strip) and The Saint and the People Importers. The "team" writers were usually credited on the title page, if not the cover. One later volume, Catch the Saint, was an experiment in returning The Saint to his period, prior to World War II (as opposed to recent Saint books set in the present day). Several later volumes also adapted scripts from the 1970s revival TV series Return of the Saint. The last Saint volume in the line of books starting with Meet the Tiger in 1928 was Salvage for the Saint, published in 1983. According to the Saintly Bible website, every Saint book published between 1928 and 1983 saw the first edition issued by Hodder & Stoughton in the United Kingdom (a company that originally published only religious books) and The Crime Club (an imprint of Doubleday that specialized in mystery and detective fiction) in the United States. For the first 20 years, the books were first published in Britain, with the United States edition following up to a year later. By the late 1940s to early 1950s, this situation had been reversed. In one case, The Saint to the Rescue, a British edition did not appear until nearly two years after the American one. French language books published over 30 years included translated volumes of Charteris originals as well as novelisations of radio scripts from the English-language radio series and comic strip adaptations. Many of these books credited to Charteris were written by others, including Madeleine Michel-Tyl. After Charteris death in 1993, two additional Saint novels appeared around the time of the 1997 film starring Val Kilmer: a novelisation of the film (which had little connection to the Charteris stories) and Capture the Saint, a more faithful work published by The Saint Club that was originated by Charteris in 1936. Both books were written by Burl Barer, who in the early 1990s published a history of the character in books, radio, and television. Charteris wrote 14 novels between 1928 and 1971 (the last two co-written), 34 novellas, and 95 short stories featuring Simon Templar. Between 1963 and 1997, an additional seven novels and fourteen novellas were written by others. In 2014, all the Saint books from Enter the Saint to Salvage for the Saint (but not Meet the Tiger nor Burl Barer's Capture the Saint) were republished in both the United Kingdom and United States. Several radio drama series were produced in North America, Ireland, and Britain. The earliest was for Radio Éireann's Radio Athlone in 1940 and starred Terence De Marney. Both NBC and CBS produced Saint series during 1945, starring Edgar Barrier and Brian Aherne. Many early shows were adaptations of published stories, although Charteris wrote several storylines for the series which were novelised as short stories and novellas. The longest running radio incarnation was Vincent Price (right), who played the character in a series between 1947 and 1951 on three networks: CBS, Mutual and NBC. Like The Whistler, the program had an opening whistle theme with footsteps; some sources say the whistling theme for The Saint was created by Leslie Charteris, while others credit RKO composer Roy Webb. Price left in May 1951, to be replaced by Tom Conway, who played the role for several more months; his brother, George Sanders, had played Templar on film. The next English-language radio series aired on Springbok Radio in South Africa between 1953 and 1957. These were fresh adaptations of the original stories and starred Tom Meehan. Around 1965 to 1966 the South African version of Lux Radio Theatre produced a single dramatization of The Saint. The English service of South Africa produced another series radio adventures for six months in 1970–1971. The most recent English-language incarnation was a series of three one-hour-long radio plays on BBC Radio 4 in 1995, all adapted from Charteris novels: Saint Overboard, The Saint Closes The Case and The Saint Plays With Fire, starring Paul Rhys as Templar. Not long after creating The Saint, Charteris began a long association with Hollywood as a screenwriter. He was successful in getting a major studio, RKO Radio Pictures, interested in a film based on one of his works. The first, The Saint in New York in 1938, based on the 1935 novel of the same name, starred Louis Hayward as Templar and Jonathan Hale as Inspector Henry Farnack, the American counterpart of Mr Teal. The film was a success and seven more films followed in quick succession. George Sanders took over the lead role from Hayward and did it for five of those films, while Hugh Sinclair portrayed Templar in the last two. Several of the films were original stories, sometimes based upon outlines by Charteris while others were based loosely on original novels or novellas. In 1953, British Hammer Film Productions produced The Saint's Return (known as "The Saint's Girl Friday" in the United States), for which Hayward returned to the role. This was followed by an unsuccessful French production in 1960. In the 1960s Roger Moore revived the role in a long-running television series The Saint. According to the book Spy Television by Wesley Britton, the first actor offered the role was Patrick McGoohan of Danger Man and The Prisoner. The series ran from 1962 to 1969, and Moore remains the actor most closely identified with the character. Since Moore, other actors played him in later series, notably Return of the Saint (1978–1979) starring Ian Ogilvy; the series ran for one season, although it was picked up by the CBS network. In the mid-1980s, the National Enquirer and other newspapers reported that Moore was planning to produce a movie based on The Saint with Pierce Brosnan as Templar, but it was never made. (Ironically Brosnan almost became Moore's immediate successor as James Bond.) A television pilot for a The Saint in Manhattan series starring Australian actor Andrew Clarke was shown on CBS in 1987 as part of the CBS Summer Playhouse; the pilot was produced by Don Taffner, but it never progressed beyond the pilot stage. Inspector John Fernack of the NYPD, played by Kevin Tighe, made his first film appearance since the 1940s in that production, while Templar (sporting a moustache) got about in a black Lamborghini bearing the ST1 licence plate. In 1989, six movies were made by Taffner starring Simon Dutton. These were syndicated in the United States as part of a series of films titled Mystery Wheel of Adventure, while in the United Kingdom they were shown as a series on ITV. In 1991, plans were announced for a series of motion pictures. Ultimately, however, no such franchise appeared. The Saint starring Val Kilmer was made in 1997 but diverged far from the Charteris books, although it did revive Templar's use of aliases. Kilmer's Saint is unable to defeat a Russian gangster in hand-to-hand combat and is forced to flee; this would have been unthinkable in a Charteris tale. Whereas the original Saint resorted to aliases that had the initials S.T., Kilmer's character used Christian saints, regardless of initials. This Saint refrained from killing, and even the main villains live to stand trial, whereas Charteris's version had no qualms about taking another life. Kilmer's Saint is presented as a master of disguise, but Charteris's version hardly used the sophisticated ones shown in this film. The film mirrored aspects of Charteris's own life, notably his origins in the Far East, though not in an orphanage as the film portrayed. Sir Roger Moore features throughout in cameo as the BBC Newsreader heard in Simon Templar's Volvo. Since the Kilmer film, there have been several failed attempts at producing pilots for potential new Saint television series: On March 13th, 2007, TNT said it was developing a one-hour series. James Purefoy was announced as the new Simon Templar but production of the pilot, which was to have been directed by Barry Levinson, did not go ahead. Another attempt at production was planned for 2009 with Scottish actor Dougray Scott starring as Simon Templar. Roger Moore announced on his website that he would be appearing in the new production, which is being produced by his son, Geoffrey Moore, in a small role. This production also did not proceed. It was announced in December 2012 that a third attempt would be made to produce a pilot for a potential TV series. This time, English actor Adam Rayner was cast as Simon Templar and American actress Eliza Dushku as Patricia Holm (a character from the novels never before portrayed on television and only once in the films), with Roger Moore producing. Unlike the prior attempts, production of the Rayner pilot did commence in December 2012 and continued into early 2013, with Moore and Ogilvy making cameo appearances, according to a cast list posted on the official Leslie Charteris website and subsequently confirmed in the trailer that was released. The pilot was not picked up for a series and was broadcast as the TV movie The Saint on July 11th 2017. Paramount Pictures, having secured the rights to the original book series (in 2016), is attempting to launch another action franchise at the studio with a reboot of The Saint. In the late 1940s Charteris and sometime Sherlock Holmes scriptwriter Denis Green wrote a stage play titled The Saint Misbehaves. It was never publicly performed, as soon after writing it Charteris decided to focus on non-Saint work. For many years it was thought to be lost; however, two copies are known to exist in private hands, and correspondence relating to the play can be found in the Leslie Charteris Collection at Boston University. The Saint appeared in a long-running series starting as a daily comic strip September 27th 1948 with a Sunday added on March 20th the following year. The early strips were written by Leslie Charteris, who had previous experience writing comic strips, having replaced Dashiell Hammett as the writer of the Secret Agent X-9 strip. The original artist was Mike Roy. In 1951, when John Spranger replaced Roy as the artist, he altered The Saint's appearance by depicting him with a beard. Bob Lubbers illustrated The Saint in 1959 and 1960. The final two years of the strip were drawn by Doug Wildey before it came to an end on September 16th 1961. Concurrent with the comic strip, Avon Comics published 12 issues of a The Saint comic book between 1947 and 1952 (some of these stories were reprinted in the 1980s). Some issues included uncredited short stories; an additional short story, "Danger No. 5", appeared as filler in issue 2 of the 1952 war comic Captain Steve Savage. The 1960s TV series is unusual in that it is one of the few major programs of its genre that was not adapted as a comic book in the United States. In Sweden, The Saint had a long-running comic book published from 1966 to 1985 under the title Helgonet. It originally reprinted the newspaper strip, but soon original stories were commissioned for Helgonet. These stories were also later reprinted in other European countries. Two of the main writers were Norman Worker and Donne Avenell; the latter also co-wrote the novels The Saint and the Templar Treasure and the novella collection Count on the Saint, while Worker contributed to the novella collection Catch the Saint. A new American comic book series was launched by Moonstone Comics in the summer of 2012, but it never went beyond a single promotional issue "zero". Charteris also edited or oversaw several magazines that tied in with The Saint. The first of these were anthologies titled The Saint's Choice that ran for seven issues in 1945–46. A few years later Charteris launched The Saint Detective Magazine (later titled The Saint Mystery Magazine and The Saint Magazine), which ran for 141 issues between 1953 and 1967, with a separate British edition that ran just as long but published different material. In most issues of Saint's Choice and the later magazines Charteris included at least one Saint story, usually previously published in one of his books but occasionally original. In several mid-1960s issues, however, he substituted "Instead of the Saint", a series of essays on topics of interest to him. The rest of the material in the magazines consisted of novellas and short stories by other mystery writers of the day. An Australian edition was also published for a few years in the 1950s. In 1984 Charteris attempted to revive the Saint magazine, but it ran for only three issues. Leslie Charteris himself portrayed The Saint in a photo play in Life magazine: The Saint Goes West. Most Saint books were collections of novellas or short stories, some of which were published individually either in magazines or in smaller paperback form. Many of the books have also been published under different titles over the years; the titles used here are the more common ones for each book. From 1964 to 1983, the Saint books were collaborative works; Charteris acted in an editorial capacity and received front cover author credit, while other authors wrote these stories and were credited inside the book. A number of Saint adventures were published in French over a 30-year period, many of which have yet to be published in English. Many of these stories were ghostwritten by Madeleine Michel-Tyl and credited to Charteris (who exercised some editorial control). The French books were generally novelisations of scripts from the radio series, or novels adapted from stories in the American Saint comic strip. One of the writers who worked on the French series, Fleming Lee, later wrote for the English-language books. Burl Barer's history of The Saint identifies two manuscripts that to date have not been published. The first is a collaboration between Charteris and Fleming Lee called Bet on the Saint that was rejected by Doubleday, the American publishers of the Saint series. Charteris, Barer writes, chose not to submit it to his United Kingdom publishers, Hodder & Stoughton. The rejection of the manuscript by Doubleday meant that The Crime Club's long-standing right of first refusal on any new Saint works was now ended and the manuscript was then submitted to other United States publishers, without success. Barer also tells of a 1979 novel titled The Saint's Lady by a Scottish fan, Joy Martin, which had been written as a present for and as a tribute to Charteris. Charteris was impressed by the manuscript and attempted to get it published, but it too was ultimately rejected. The manuscript, which according to Barer is in the archives of Boston University, features the return of Patricia Holm. At one time Leslie Charteris biographer Ian Dickerson was working on a manuscript (based upon a film story idea by Charteris) for a new novel titled Son of the Saint in which Templar shares an adventure with his son by Patricia Holm. The book has, to date, not been published. Movies The Saint in New York (1938) The Saint Strikes Back (1939) The Saint in London (1939) The Saint's Double Trouble (1940) The Saint Takes Over (1940) The Saint in Palm Springs (1941) The Saint's Vacation (1941) The Saint Meets the Tiger (1943) The Saint's Return (1953) Le Saint mène la danse (1960) Le Saint prend l'affût (1966) The Saint (1997) TV Movies The Fiction Makers (1968) Vendetta for the Saint (1969) The Saint and the Brave Goose (1983) The Saint in Manhattan (1987) The Saint: The Brazilian Connection The Saint: The Blue Dulac The Saint Fear in Fun Park (a.k.a. The Saint in Australia 1989) The Saint: Wrong Number The Saint: The Big Bang The Saint: The Software Murders. The Saint (2017) Radio and TV Series The Saint (radio program, 1945 - 1951) The Saint (TV series, 1962 - 1969) Return of the Saint (1978 - 1979) Books by Leslie Charteris Meet the Tiger (1928) Enter the Saint (1930) The Last Hero (1930) Knight Templar (1930) Featuring the Saint (UK only – 1931) Alias the Saint (UK only – 1931) Wanted for Murder (US only – 1931) She Was a Lady (1931) The Holy Terror (1932) Getaway (1932) Once More the Saint (1933) The Brighter Buccaneer (1933) The Misfortunes of Mr. Teal (1934) Boodle (1934) The Saint Goes On (1934) The Saint in New York (1935) Saint Overboard (1936) The Ace of Knaves (1937) Thieves' Picnic (1937) Prelude for War (1938) Follow the Saint (1938) The Happy Highwayman (1939) The Saint in Miami (1940) The Saint Goes West (1942) The Saint Steps In (1942) The Saint on Guard (1944) The Saint Sees it Through (1946) Call for the Saint (1948) Saint Errant (1948) The Saint in Europe (1953) The Saint on the Spanish Main (1955) The Saint Around the World (1956) Thanks to the Saint (1957) Señor Saint (1958) The Saint to the Rescue (1959) Trust the Saint (1962) The Saint in the Sun (1963) Collaborations (credited to Charteris) Vendetta for the Saint (1964) The Saint on TV (1968) The Saint Returns (1968) The Saint and the Fiction Makers (1968) The Saint Abroad (1969) The Saint in Pursuit (1970) The Saint and the People Importers (1971) Catch the Saint (1975) The Saint and the Hapsburg Necklace (1976) Send for the Saint (1977) The Saint in Trouble (1978) The Saint and the Templar Treasure (1979) Count on the Saint (1980) Salvage for the Saint (1983) Books by Burl Barer The Saint (film novelization) (1997) Capture the Saint (1997) Unpublished works Bet on the Saint (1968) The Saint's Lady (1979) slideshow THE SAINT TELEVISION SERIES THE SAINT BACK TO NEAT STUFF HALL OF FAME MAIN PAGE