Forbidden
Planet is a 1956 science fiction film directed by Fred M. Wilcox,
with a screenplay by Cyril Hume. It stars Walter Pidgeon, Anne
Francis, and Leslie Nielsen. The characters and its setting have been
compared to those in William Shakespeare's The Tempest, and its plot
contains certain story analogs and a reference to one section of
Jung's theory on the collective subconscious. Forbidden Planet is the
first science fiction film in which humans are depicted traveling in
a starship of their own construction. It was also the first science
fiction film that was set entirely on another planet in deep space,
away from the planet Earth. Forbidden Planet is considered one of the
great science fiction films of the 1950s, a precursor of what was to
come for the science fiction film genre in the decades that followed.
Forbidden Planet features
special effects for which A. Arnold Gillespie, Irving G. Ries, and
Wesley C. Miller were nominated for an Academy Award. It was the only
major award nomination the film received. Forbidden Planet features
the groundbreaking use of an entirely electronic musical score by
Louis and Bebe Barron. It also featured "Robby the Robot",
one of the first film robots that was more than just a mechanical
"tin can" on legs; Robby displays a distinct personality
and is a complete supporting character in the film. In the biography
of Gene Roddenberry, the Star Trek Creator, notes that Forbidden
Planet "was one of my inspirations for Star Trek."
The story takes place early
in the 23rd century. The United Planets Cruiser C57-D travels to the
planet Altair IV, 16 light-years from Earth, to discover the fate of
an expedition sent 20 years earlier. Soon after entering orbit, the
cruiser receives a transmission from Dr. Edward Morbius (Pidgeon),
the expedition's linguist. He warns the starship away, saying he
cannot guarantee their safety; he also states further assistance is
not necessary. Commander John J. Adams (Nielsen) by passes the
warning and insists on landing coordinates.
They
are met on landing by Robby the Robot, who takes Adams, Lieutenant
Jerry Farman, and Lieutenant "Doc" Ostrow to Morbius's
home. There, Morbius explains that an unknown "planetary
force" killed nearly everyone and then vaporized their starship,
Bellerophon, as the survivors tried to lift-off the planet. Only
Morbius, his wife (who later died of natural causes), and their
daughter Altaira (Francis) were somehow immune. Morbius fears that
the C57-D and its crew will meet the same fate; Altaira is fascinated
to meet other Earthmen after knowing only her father.
Later the next night,
equipment aboard the C57-D is sabotaged, though posted sentries never
spot the intruder. Adams and Ostrow confront Morbius the following
morning. They learn he has been studying a highly advanced native
species, the Krell, a race that mysteriously died suddenly 200,000
years before, just as they achieved their crowning scientific triumph.
In a still functioning
Krell laboratory, Morbius shows Adams and Ostrow a device he calls a
"plastic educator," a machine capable of measuring and
enhancing intellectual capacity; he uses it to display a three-dimensional,
moving thought projection of Altaira. The Bellerophon's captain
tried the machine and was instantly killed. When Morbius first used
the machine, he barely survived; he later discovered his intellect
had been permanently doubled. His increased intelligence, along with
information from a Krell "library", enabled him to build
Robby and the other "technological marvels" in his home.
Morbius then takes them on a tour of a vast cube-shaped, underground
Krell complex, 20 miles [30 km] on each side, still functioning and
powered by 9,200 thermonuclear reactors.
In response to the
sabotage, Adams orders a defensive force field fence deployed around
the starship. This proves useless when the intruder returns
undetected and murders Chief Engineer Quinn. Later, Dr. Ostrow is
confused by a casting made from one of the large footprints the
intruder left behind: its contradictory features appear to violate
all known evolutionary laws.
When
the intruder returns, the C57-D's crew is prepared but discovers it
is invisible. Its roaring image becomes visible as it stands within
the fence's force field, further enhanced by the crew's directed
high-energy weapons' fire, which has no effect. Several of the crew
are killed during the battle, including Farman. Back in the Krell
lab, Morbius is startled awake by Altaira's screaming; at that same
instant, the large creature suddenly vanishes.
Later, while Adams
confronts Morbius at his home, Ostrow sneaks away to use the Krell
educator; he is fatally injured. As he lies dying, Ostrow explains to
Adams that the great machine was built to materialize anything the
Krell could imagine, projecting it anywhere on the planet. However,
with his dying breath, he also says the Krell forgot one thing:
"Monsters from the Id!" When confronted by Adams, Morbius
objects, pointing out that there are no Krell alive. Adams counters
that Morbius' subconscious mind, expanded by the "plastic
educator," can access the great machine and recreate the monster
that killed the original expedition; Morbius refuses to believe it.
After
Altaira declares her love for Adams in defiance of her father's
wishes, Robby detects the creature approaching the house. Morbius
commands the robot to kill it, but Robby knows it is a manifestation
of his master. His programming conflict to never harm humans forces
Robby to shut down. Powered by the great machine, the creature melts
through the indestructible doors of the Krell laboratory where Adams,
Altaira, and Morbius have taken refuge. Morbius finally accepts the
truth: The creature is an extension of his own mind, "his evil
self". He is fatally injured trying to stop the monster, which
then immediately disappears. Morbius directs Adams to activate a
floor switch (a self-destruct mechanism) and warns them that they
must be 100 million miles away within 24 hours.
From deep space, Adams,
Altaira, Robby, and the rest of the crew witness the destruction of
Altair IV and the entire planetary system.
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For many, Forbidden Planet is the granddaddy of Star Trek. A pioneering work whose ideas and style would be reverse-engineered into many cinematic space voyages to come. Leslie Nielsen plays the commander who brings his spacecruiser crew to Planet Altair-4, home to Dr. Morbius (Walter Pidgeon), his daughter (Anne Francis), a dutiful robot named Robby and to a mysterious terror. Featuring sets of extraordinary scale and the first all-electronic musical soundscape in film history, Forbidden Planet is in a movie orbit all its own.
The screen story by Irving
Block and Allen Adler, written in 1952, was originally titled Fatal
Planet. The later screenplay draft by Cyril Hume renamed the film
Forbidden Planet, because this was believed to have greater
box-office appeal. Block and Adler's drama took place in the year
1976 on the planet Mercury. An Earth expedition headed by John Grant
was sent to the planet to retrieve Dr. Adams and his daughter
Dorianne, who have been stranded there for twenty years. From then
on, its plot is roughly the same as that of the completed film,
though Grant is able to rescue both Adams and his daughter and escape
the invisible monster stalking them.
The
film sets were constructed on a Metro Goldwyn Mayer (MGM) sound
stage at its Culver City film lot and were designed by Cedric Gibbons
and Arthur Longeran. The film was shot entirely indoors, with all the
Altair IV exterior scenes simulated using sets, visual effects, and
matte paintings. A full-size mock-up of roughly three-quarters of the
C57-D starship was built to suggest its full width of 170 ft (51 m).
The ship was surrounded by a huge, painted cyclorama featuring the
desert landscape of Altair IV; this one set took up all of the
available space in one of the Culver City sound stages. Later, C57-D
models, special effects shots, and the full-size set details were
reused in several different episodes of the television series The
Twilight Zone, which were filmed by CBS at the same MGM studio
location in Culver City.
At a cost of roughly
$125,000, Robby the Robot was very expensive for a single film prop
at this time. Both the electrically controlled passenger vehicle
driven by Robby and the truck/tractor-crane off-loaded from the C57-D
starship were also constructed specially for this film. Robby the
Robot later starred in the science fiction film The Invisible Boy and
appeared in many TV series and films that followed; like the C57-D,
Robby (and his passenger vehicle) appeared in various episodes of
CBS' The Twilight Zone, usually slightly modified for each appearance.
The animated sequences of
Forbidden Planet, especially the attack of the "Id Monster",
were created by the veteran animator Joshua Meador, who was loaned
out to MGM by Walt Disney Pictures. According to a "Behind the
Scenes" featurette on the film's DVD, a close look at the
creature shows it to have a small goatee beard, suggesting its
connection to Dr. Morbius, the only character with this physical
feature; the bellowing, now visible Id monster, caught in the
crewman's high-energy beams during the attack, is a direct reference
to and visual pun on MGM's familiar roaring mascot Leo the Lion, seen
at the very beginning of Forbidden Planet and the studio's other
films of the era.
Forbidden Planet was first
released on April 1st, 1956, across the United States of America in
CinemaScope and Metrocolor, and with stereophonic sound in some
cinemas (either by the magnetic or Perspecta processes). The premiere
of Forbidden Planet in Hollywood was at Grauman's Chinese Theatre,
and Robby the Robot was on display in the lobby. Forbidden Planet ran
every day at Grauman's Theater through the following September. The
film earned rentals of $1.6 million in North America in 1956.
Forbidden Planet was
re-released in film theaters during 1972 as one of the "Kiddie
Matinee" features of MGM, with about six minutes of film footage
cut to ensure that it received a "G" rating from the Motion
Picture Association of America. Video releases feature the
"G" rating; however, they are all uncut.
New Line Cinema had
developed a remake with James Cameron, Nelson Gidding and Stirling
Silliphant involved at different points. In 2007 DreamWorks set up
the project with David Twohy set to direct. Warner Bros. re-acquired
the rights the following year and on October 31, 2008, J. Michael
Straczynski was announced as writing a remake, Joel Silver was to
produce. Straczynski explained that the original had been his
favorite science fiction film, and it gave Silver an idea for the new
film that makes it "not a remake", "not a
reimagining", and "not exactly a prequel". His vision
for the film would not be retro, because when the original was made
it was meant to be futuristic. Straczynski met with people working in
astrophysics, planetary geology and artificial intelligence to
reinterpret the Krell back-story as a film trilogy. As of January
2013, no more information had been released about this possible
Forbidden Planet remake; Straczynski's and Silver's project appears
to have either disappeared into development limbo or possibly gone
directly into industry turnaround